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Oldies Online Radio 320 kbs The best in Oldies Music on the Internet
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Oldies Online Radio 64 kbs The best in Oldies Music on the Internet
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Oldies Online Radio 320 kbs The best in Oldies Music on the Internet
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Weekendshow 17 July 2026 Oldies Online Radio
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play_arrowIsaac Hayes [Shaft (Music From the Soundtrack)]
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play_arrowGloria Gaynor [Never Can Say Goodbye (Deluxe Edition)]
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play_arrowThe O’jays [Back Stabbers]
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play_arrowDonny Hathaway [Old School Soul]
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play_arrowAretha Franklin [Young, Gifted and Black]
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play_arrowBill Withers [Still Bill]
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play_arrowCurtis Mayfield [Superfly (Soundtrack from the Motion Picture) [Deluxe 25th Anniversary Edition]]
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play_arrowAl Green [Greatest Hits]
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play_arrowStevie Wonder [Songs in the Key of Life]
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play_arrowMarvin Gaye [Remember When...1971!]
There’s a reason classic soul keeps finding fresh ears: these songs don’t just survive the decades, they keep speaking to the moment. At Oldies Online Radio, we hear it every week on the requests line — listeners want music with groove, grit, and something real to say. This week’s standout, Theme From Shaft by Isaac Hayes, is the ultimate statement record: cinematic, swaggering, and instantly recognisable. That opening guitar line and Hayes’ velvet baritone helped redefine what a soundtrack could be, turning Shaft into a pop-culture force and making soul feel larger than the screen.
Part of the magic is how these tracks combine strong hooks with unmistakable identity. Theme From Shaft rides a tight rhythm section and orchestral drama, showing how Isaac Hayes blurred the line between film score and radio hit. It arrived at a time when Black music was expanding its reach across film, fashion, and television, and it still sounds ahead of its time. The record’s cool confidence has echoed through hip-hop, funk, and modern soundtrack writing ever since.
Then there’s Never Can Say Goodbye by Gloria Gaynor, a song that transformed heartbreak into endurance. Gaynor’s later disco fame often overshadows just how elegant her phrasing was here: the track is tender, direct, and emotionally precise. The O’Jays bring a different kind of urgency on Back Stabbers, weaving smooth harmonies into sharp social observation. The song’s title alone became shorthand for distrust, proof that great soul records can also shape everyday language.
Donny Hathaway’s reading of What’s Going On brings warm, searching humanity to a protest classic, while Aretha Franklin makes Rock Steady feel like a celebration of confidence and movement. Bill Withers, on Use Me, strips the groove down to something lean and hypnotic — a masterclass in restraint. And Curtis Mayfield’s Superfly remains a lesson in how social commentary can be stylish, sharp, and deeply musical all at once.
Al Green’s Let’s Stay Together continues to define romantic soul with its soft-focus warmth, while Stevie Wonder’s I Wish turns memory into joy with irresistible rhythmic sparkle. Closing the set, Marvin Gaye’s What’s Going On reminds us why the song still matters: its message of empathy and community feels as current now as it did at release. In an era obsessed with instant hits, these classics endure because they offer something rarer — depth, craft, and emotional truth. That’s why they’re still making waves, and why listeners keep coming back.
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